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The 23 mm Fujifilm lens f/1.4 R has existed for a decade and remains one of Fujifilm’s legendary lenses. This is an extremely versatile lens, one of my favorites and now is the time to leave my thoughts in writing. WELCOME TO MY REVIEW OF LENS FUJIFILM 23 MM F/1.4 R.
The 23 mm Fujifilm lens f/1.4 R has practically a decade of age. Ten years is a very A long time in the world of photography, but it is sure to say that this lens has aged extremely well; remaining one of the most legendary lenses offered by Fujifilm. As I said in the title, this lens is still golden and still comes with excellent praise even in 2024. Even with a version ‘Mark II’!
I loved this lens in recent years and I hope that my thoughts (and photos) help others to consider adding the Fujifilm 23 mm f/1.4 r to their own lenses collection.
Fujifilm 23 mm F/1.4 r Lenso review
My experience
I changed Nikon to Fujifilm in 2016 and my first lens was the lovely Fujifilm of 23 mm f/2, which became my main lens for my trips through Australia and Southeast Asia. I later sold that lens for the Fujifilm X100F that delivered the same impact but on an easy to transport package. As I will explain, the 23 mm focal length (35 mm full frame) is one that I love for documentary style photography; Either to travel, family or weddings.
In December 2021, I bought the fujifilm lens of 23 mm f/1.4 r to take things with my wedding photography. I had already filmed some weddings with the Fujifilm 16 mm F/1.4 as my wide angle, Fujifilm 23 mm f/2 for natural light shots and Fujifilm 56 mm f/1.2 for, well, those impressive portraits and first planes. Being realistic, I wanted to use only the 23 mm focal length, but I needed a faster opening to help with low light wedding places, so I found a lens used at a good price and I have not looked back since then.
From those two weddings in December 2021, I have only filmed some weddings since I have never found the time to go along with my full -time career. However, I found that this lens fit well in my photography style, soon overcoming my use of Fujifilm X100F. I love to shoot tall (when it is the right time) and there is something in this lens, perhaps the interpretation of color and the bokeh, which makes me love what it produces in f/1.4 and beyond.
I have taken this lens on one day excursions with family, vacations and press trips and have taken many food and drink photos! He has also taken so many photos of my Little Evelyn, although I do not expect to see too many photos here. It is even broad enough to allow me to take my classic photos of ‘Hand Hold’.
FOCAL LENGTH
The 23 mm focal length in the Fujifilm culture sensor chambers is equivalent to the classic 35 mm full frame that has been popular for so many years. Almost all the ‘Point and Shot’ movie camera used this focal distance; One that captures enough of the scene without being too wide or too tight. The gold rich of all focal distances; It is literally fair. At the moment, I love the focal distance of 35 mm (full frame of 50 mm: My Fujifilm 35 mm F/1.4 is a dream lens) but that does not work too well to capture everything at the same time throughout the day. It is often too tight to incorporate more of the environment. I find that the focal distance of 23 mm allows me to do exactly that to paint more in history behind a shot; A perfect documentary focal length.
F/1.4 and image quality
One thing with which I never went out with his at the Fujifilm of 23 mm f/2 or the Fujifilm X100F was his softness when he shot from par and the slightly F/2 limiting factor when firing with little light. Combined, when the light fell, I would find that the photos are too soft, since you are forced to use F/2. However, when it shoots torque in f/1.4 with this lens, I am pleased to say that the images are acute enough and have an extremely beautiful area out of focus.
I try not to shoot everything AF/1.4 for obvious reasons, but when the time comes, I really love to shoot from par. In general, for family or travel shots, I would be shooting in anything from f/2 AF/4 and, again, everything that comes out of this lens looks lovely.
Defects
Ok, this is a ten -year lens, it would be nonsense of me not to attract attention to the fact that, of course, it has some defects. In terms of automatic approach, it is obviously not the fastest. It is not unusable for any stretch of the imagination, certainly not with bright light, but when you try to track a bride into the continuous approach in the hall in a dark place, you can imagine that it is not the best.
Another strange peculiarity of this lens is that, from time to time, it will have a strange approach breathing problem in which it simply forgets that it is a camera lens and cannot be concentrated even if not because of the lack of trying. It will go from one place to another, back and back before saying suddenly, I have it when you definitely do not have it. The focus indicator will be green and it doesn’t matter how many times I tried to focus again, I discovered that nothing less than turning off the camera will eliminate it from its madness.
Alternative options
In terms of alternative options, unlike this old lens, it is looking at the Fujifilm lens of 23 mm f/1.4 r wr, the 23 mm fujifilm lens f/2 or one of the cameras of the X100 series that conveniently incorporates a f/2 23 mm lens of 23 mm into a small but incredible point and a package of shooting.
If the ‘Mark II’ lens looks like Fujifilm 18 mm f/1.4, then he will be in a winner safely. He demits with the clutch mechanism that he uses in moderation in the previous version (to change the manual approach) and brings a super fast automatic approach with the linear engine, weather resistance and a slightly different way (longer and longer …). I have written in detail about the 23 mm fujifilm lens f/2 and the Fujifilm X100F before you know how much I love them. I could even opt for a third -party lens (such as Viltrox 23 mm F/1.4) that are often significantly cheaper than their Fujifilm counterparts, I have always moved away from them for some reason and what I know.
General thoughts
Personally, I love the oldest lens and can pick it up quite low in the used market, but if the automatic approach speed is crucial and needs f/1.4, then the ‘Mark II’ lens is for you. If you are looking for a small light lens for travel photography, I would definitely look at version F/2 or adding one of the excellent cameras of the X100 series to your collection: the Fujifilm X100V came with an improved version of its f/2 lens, which means that it is incredibly clear even when it is triggered from torque. The new Fujifilm X100VI continues the perfection introduced by this line of cameras.
For now, however, I am more than happy with the Fujifilm lens of 23 mm f/1.4 r and I hope to incorporate it a little more in my photograph in the coming months.
Fujifilm photos 23 mm f/1.4 r
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